Since 1995, Pixar Animation Studios has set the standard for computer-animated feature films. The studio’s films have won numerous Oscars and grossed billions of dollars at the box office. Here are the best Pixar movies to stream on Disney+.
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Pixar brings the dead to life in this gorgeously animated Coconut. Set during the Mexican holiday of the Day of the Dead, Coconut follows 12-year-old Miguel when he inadvertently activates a family curse and is sent to the afterlife. He has to find his way back to the land of the living as he uncovers secrets about his family’s history.
Coconut is a colourful, heartfelt, music-infused exploration of the family legacy, featuring a beautiful and catchy Oscar-nominated song by superstar songwriters Robert Lopez and Kristen Anderson-Lopez.
Andrew Stanton’s Underwater Adventure Finding Nemo many parents even more than their children, with its story about a desperate father trying to find his lost son. That father, Marlin (Albert Brooks), is a clownfish, and his efforts to reunite with his son Nemo take him across the Pacific Ocean. Finding Nemo it’s funny, exciting, and sometimes heartbreaking, with a memorable supporting performance from Ellen DeGeneres as a loyal but forgetful surgeonfish named Dory.
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Superhero movies dominate the box office these days, and Pixar created one of the best examples of the genre as a completely original story in The Incredibles. The title characters are a family of superheroes who must adjust to normal life when the government prohibits the use of superpowers.
That doesn’t last long, however, as they are forced to come out of hiding to face a new threat. The Incredibles celebrates the wonder of superheroes with a fast-paced story that mixes action and suspense with family togetherness.
Probably the only children’s film ever made about the value of sadness, Inside out it’s an insightful portrait of the swirling mix of emotions everyone grapples with. Notably, the film takes place inside the mind of 11-year-old Riley as she adjusts to a new home and school.
Riley’s anthropomorphic emotions Joy, Sadness, Anger, Fear and Disgust battle each other for dominance, until they learn to coexist. Inside out creates a fully realized internal world, with rich metaphors for life experiences.
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A silly premise leads to some profound revelations in Ratatouille. Patton Oswalt voices Remy, a Parisian rat who yearns to become a gourmet chef, despising the literal crap his family members eat. He gets a chance at him when he teams up with bumbling young cook Alfredo Linguini (Lou Romano), guiding Alfredo’s every move. It’s a silly idea that provides plenty of humor, but also speaks to the emotional power of food, especially in relation to the formidable restaurant critic Anton Ego (Peter O’Toole).
What would happen if you died without having really lived? That’s the heady question Pixar explores in Soul, about a jazz pianist who finds meaning in his life only after his death. Joe Gardner (Jamie Foxx) teams up with an unborn soul designated 22 (Tina Fey) to escape back to Earth and reclaim his life.
Jazz influences extend into the film’s lively imagery, and the music inspires Joe’s renewed enthusiasm for life. Foxx and Fey have great comedic chemistry, as two very different characters learning to appreciate being human.
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toy story 2
First toy story It was Pixar’s first feature film, heralding the company as a pioneer in the field of computer animation. But toy story 2 showcased the studio’s masterful storytelling alongside its technical achievements, with a moving narration that reflects on growth. Woody (Tom Hanks), Buzz (Tim Allen) and all of Andy’s other toys worry about his fate as their owner ages. When Woody is stolen by a greedy collector, the toys must band together to rescue him, in a thrilling sequence.
Puberty is hard enough to turn into a giant red panda at inopportune moments, but that’s just what poor Chinese-Canadian teenager Meilin Lee (Rosalie Chiang) has to face in turning red. Like all the women in her family, she begins to transform whenever she feels intense emotions, which, of course, is something that happens all the time when she’s 13. turning red is a clever and hilarious coming-of-age allegory, telling a specific story set in 2002 Toronto that has universal appeal.
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The initial sequence of Up is justifiably one of Pixar’s most famous moments, condensing the entire lifelong relationship of Carl Fredricksen (Ed Asner) and his late wife Ellie into a few beautiful and heartbreaking minutes.
The rest of the film is less melancholic, following the elderly Carl and his eight-year-old neighbor to a remote South American jungle, which they travel to in balloons tethered to Carl’s house. There’s a talking dog, an evil hunter and a strange bird, all adding up to a colorful and bizarre adventure.
There is a certain purity in making an animated film like WALL E Almost no dialogue. The title character is a lonely robot, trapped on a future Earth abandoned by humans. All WALL-E does all day is clean up trash and collect special items that he keeps for himself.
That changes when he falls in love with the fancy new robot EVE, and the two eventually help bring Earth back to life. Director Andrew Stanton draws on the work of silent movie comedians for the robot interactions as he tells a story full of hope.